Temecula Horse properties

[tlefort]

I agree charmagirl. Wine Country has it’s pluses and minuses. It all depends of personnel preferences and needs. My wife has a horse business and her business requires the boarding of 18 horses. So to own a small 5 acre ranch that could house her animals would be a big savings for her overhead. For others, some people just like the solitude and peace and quiet of not living so close together.
You are right about having to drive to “Town” to get supplies. But in reality you just adapt and plan your shopping and errands so you take care of everything at once.
As far as conservatives, I think that area is about the same as Temecula as a whole. It is the “Bible Belt” of the inland area I think. And that is Ok by me butI know some people take offense.
As far as prices are concerned, I think the Wine Country area has taken a bit longer and is lagging the homes in town. But I am starting to see the cracks and there is quite a bit of discounting going on. When I moved out there 4 years ago everything was 600k and on up. Now a few are hovering in the mid to high 300s.
Also, the expense of water is not an issue as most places are on wells. If you have an orchard and you use Rancho cal water, you also get discounted agriculture rates which are about 90% cheeper than residential. I personally feel this is unfair but that is how it is. All those 3-5 acre mini so called “Vineyards” are likley paying less in water than your average track home while using 10 times the amount of water.
For us, horses don’t use as much as vines so water will not be an issue.
Thanks for your input..
TL

[[email protected]]

I’m a wine country ranch owner, been here 12 years, poured every last dollar into my 2.5 acre beauty. Used it as an ATM. It’s the best spot on earth and was valued at a million at the peak of the bubble. The poster is right – denial is strong here. It’s difficult to admit that we are “under water” but I can’t keep justifying throwing money away so I am considering short-selling or foreclosure. The horse culture is passionate, but at least two of the big ranches in Valle des los Caballos are for sale and one is for lease.

[[email protected]]

I’m a wine country ranch owner, been here 12 years, poured every last dollar into my 2.5 acre beauty. Used it as an ATM. It’s the best spot on earth and was valued at a million at the peak of the bubble. The poster is right – denial is strong here. It’s difficult to admit that we are “under water” but I can’t keep justifying throwing money away so I am considering short-selling or foreclosure. The horse culture is passionate, but at least two of the big ranches in Valle des los Caballos are for sale and one is for lease.

[[email protected]]

I’m a wine country ranch owner, been here 12 years, poured every last dollar into my 2.5 acre beauty. Used it as an ATM. It’s the best spot on earth and was valued at a million at the peak of the bubble. The poster is right – denial is strong here. It’s difficult to admit that we are “under water” but I can’t keep justifying throwing money away so I am considering short-selling or foreclosure. The horse culture is passionate, but at least two of the big ranches in Valle des los Caballos are for sale and one is for lease.

[[email protected]]

I’m a wine country ranch owner, been here 12 years, poured every last dollar into my 2.5 acre beauty. Used it as an ATM. It’s the best spot on earth and was valued at a million at the peak of the bubble. The poster is right – denial is strong here. It’s difficult to admit that we are “under water” but I can’t keep justifying throwing money away so I am considering short-selling or foreclosure. The horse culture is passionate, but at least two of the big ranches in Valle des los Caballos are for sale and one is for lease.

[[email protected]]

I’m a wine country ranch owner, been here 12 years, poured every last dollar into my 2.5 acre beauty. Used it as an ATM. It’s the best spot on earth and was valued at a million at the peak of the bubble. The poster is right – denial is strong here. It’s difficult to admit that we are “under water” but I can’t keep justifying throwing money away so I am considering short-selling or foreclosure. The horse culture is passionate, but at least two of the big ranches in Valle des los Caballos are for sale and one is for lease.

[TemekuT]

This is off topic to the thread. Since the last poster shared his name via AOL, I took the liberty of posting his biography for all those who love to paint Temecula as a gun toting, Bible thumping, tricked-out truck driving outpost for those who can’t afford to live in the culturally advanced (?!) OC or SD counties:

“Composer/conductor XY showed his prodigious musical talent early, playing piano at age three, composing and improvising by age seven. His formidable training included mentoring in compostion from Darius Milhaud, Vincent Persichetti and Roger Sessions. After graduating from The Juilliard School of Music in 1969, X’s fluency at the piano landed him jazz gigs with Elvin Jones, Clark Terry, Nick Brignola and Lee Konitz; pop gigs with Hall & Oates, Judy Collins, Esther Phillips and Maureen McGovern. He became Bette Midler’s Musical Director in 1976, arranging and conduct ing the wildly successful Clams On The Half Shell Revue, The First Annual Farewell Tour and the Live At Last album and HBO show.

From 1976 to 1991 X put most of his effort into his collaboration with legendary choreographer Paul Taylor. As Musical Director of the Paul Taylor Dance Company, he scored eight ballets, conducted fifteen New York seasons as well as engagements with the Paris Opera Orchestra, Israel Philharmonic, Montreal Symphony, Danish Radio Orchestra, Scottish National Orchestra, Edinburgh Festival Orchestra, Sadler’s Wells Orchestra, San Francisco Ballet Orchestra and Buffalo Philharmonic. Two of his Taylor scores are represented on PBS’ Dance In America series. He also conducted eight seasons for New York City Ballet, composed and conducted for Miami City Ballet, Mark Morris Dance Group, Jose Limon Company and Ballet Marseilles/Roland Petit. On Broadway Mr. Y has conducted or arranged I Love My Wife, Little Me, Can-Can, Merlin, 5-6-7-8- Dance!, Sunset, The Marriage Of Figaro, The Life and Sweet Charity. Since moving to California in 1995, X has arranged and conducted the tour of The Ann-Margret Show and conducted national tours of Beauty and the Beast, Fosse, Hello Dolly! and The Producers. His reworking of Duke Ellington’s neglected musical Beggar’s Holiday recently premiered at the Marin Theatre Company.

X Y lives on his ranch in Temecula, California with his wife, Anne, and their three children, eight horses, five dogs, two goats, a pig, a cat & “Kirby” the scat singing cockatiel.”

The longer I’m in Temecula, the more I encounter accomplished people like Mr. Y, people who left behind city life and chose to live in the IE.

[TemekuT]

This is off topic to the thread. Since the last poster shared his name via AOL, I took the liberty of posting his biography for all those who love to paint Temecula as a gun toting, Bible thumping, tricked-out truck driving outpost for those who can’t afford to live in the culturally advanced (?!) OC or SD counties:

“Composer/conductor XY showed his prodigious musical talent early, playing piano at age three, composing and improvising by age seven. His formidable training included mentoring in compostion from Darius Milhaud, Vincent Persichetti and Roger Sessions. After graduating from The Juilliard School of Music in 1969, X’s fluency at the piano landed him jazz gigs with Elvin Jones, Clark Terry, Nick Brignola and Lee Konitz; pop gigs with Hall & Oates, Judy Collins, Esther Phillips and Maureen McGovern. He became Bette Midler’s Musical Director in 1976, arranging and conduct ing the wildly successful Clams On The Half Shell Revue, The First Annual Farewell Tour and the Live At Last album and HBO show.

From 1976 to 1991 X put most of his effort into his collaboration with legendary choreographer Paul Taylor. As Musical Director of the Paul Taylor Dance Company, he scored eight ballets, conducted fifteen New York seasons as well as engagements with the Paris Opera Orchestra, Israel Philharmonic, Montreal Symphony, Danish Radio Orchestra, Scottish National Orchestra, Edinburgh Festival Orchestra, Sadler’s Wells Orchestra, San Francisco Ballet Orchestra and Buffalo Philharmonic. Two of his Taylor scores are represented on PBS’ Dance In America series. He also conducted eight seasons for New York City Ballet, composed and conducted for Miami City Ballet, Mark Morris Dance Group, Jose Limon Company and Ballet Marseilles/Roland Petit. On Broadway Mr. Y has conducted or arranged I Love My Wife, Little Me, Can-Can, Merlin, 5-6-7-8- Dance!, Sunset, The Marriage Of Figaro, The Life and Sweet Charity. Since moving to California in 1995, X has arranged and conducted the tour of The Ann-Margret Show and conducted national tours of Beauty and the Beast, Fosse, Hello Dolly! and The Producers. His reworking of Duke Ellington’s neglected musical Beggar’s Holiday recently premiered at the Marin Theatre Company.

X Y lives on his ranch in Temecula, California with his wife, Anne, and their three children, eight horses, five dogs, two goats, a pig, a cat & “Kirby” the scat singing cockatiel.”

The longer I’m in Temecula, the more I encounter accomplished people like Mr. Y, people who left behind city life and chose to live in the IE.

[TemekuT]

This is off topic to the thread. Since the last poster shared his name via AOL, I took the liberty of posting his biography for all those who love to paint Temecula as a gun toting, Bible thumping, tricked-out truck driving outpost for those who can’t afford to live in the culturally advanced (?!) OC or SD counties:

“Composer/conductor XY showed his prodigious musical talent early, playing piano at age three, composing and improvising by age seven. His formidable training included mentoring in compostion from Darius Milhaud, Vincent Persichetti and Roger Sessions. After graduating from The Juilliard School of Music in 1969, X’s fluency at the piano landed him jazz gigs with Elvin Jones, Clark Terry, Nick Brignola and Lee Konitz; pop gigs with Hall & Oates, Judy Collins, Esther Phillips and Maureen McGovern. He became Bette Midler’s Musical Director in 1976, arranging and conduct ing the wildly successful Clams On The Half Shell Revue, The First Annual Farewell Tour and the Live At Last album and HBO show.

From 1976 to 1991 X put most of his effort into his collaboration with legendary choreographer Paul Taylor. As Musical Director of the Paul Taylor Dance Company, he scored eight ballets, conducted fifteen New York seasons as well as engagements with the Paris Opera Orchestra, Israel Philharmonic, Montreal Symphony, Danish Radio Orchestra, Scottish National Orchestra, Edinburgh Festival Orchestra, Sadler’s Wells Orchestra, San Francisco Ballet Orchestra and Buffalo Philharmonic. Two of his Taylor scores are represented on PBS’ Dance In America series. He also conducted eight seasons for New York City Ballet, composed and conducted for Miami City Ballet, Mark Morris Dance Group, Jose Limon Company and Ballet Marseilles/Roland Petit. On Broadway Mr. Y has conducted or arranged I Love My Wife, Little Me, Can-Can, Merlin, 5-6-7-8- Dance!, Sunset, The Marriage Of Figaro, The Life and Sweet Charity. Since moving to California in 1995, X has arranged and conducted the tour of The Ann-Margret Show and conducted national tours of Beauty and the Beast, Fosse, Hello Dolly! and The Producers. His reworking of Duke Ellington’s neglected musical Beggar’s Holiday recently premiered at the Marin Theatre Company.

X Y lives on his ranch in Temecula, California with his wife, Anne, and their three children, eight horses, five dogs, two goats, a pig, a cat & “Kirby” the scat singing cockatiel.”

The longer I’m in Temecula, the more I encounter accomplished people like Mr. Y, people who left behind city life and chose to live in the IE.

[TemekuT]

This is off topic to the thread. Since the last poster shared his name via AOL, I took the liberty of posting his biography for all those who love to paint Temecula as a gun toting, Bible thumping, tricked-out truck driving outpost for those who can’t afford to live in the culturally advanced (?!) OC or SD counties:

“Composer/conductor XY showed his prodigious musical talent early, playing piano at age three, composing and improvising by age seven. His formidable training included mentoring in compostion from Darius Milhaud, Vincent Persichetti and Roger Sessions. After graduating from The Juilliard School of Music in 1969, X’s fluency at the piano landed him jazz gigs with Elvin Jones, Clark Terry, Nick Brignola and Lee Konitz; pop gigs with Hall & Oates, Judy Collins, Esther Phillips and Maureen McGovern. He became Bette Midler’s Musical Director in 1976, arranging and conduct ing the wildly successful Clams On The Half Shell Revue, The First Annual Farewell Tour and the Live At Last album and HBO show.

From 1976 to 1991 X put most of his effort into his collaboration with legendary choreographer Paul Taylor. As Musical Director of the Paul Taylor Dance Company, he scored eight ballets, conducted fifteen New York seasons as well as engagements with the Paris Opera Orchestra, Israel Philharmonic, Montreal Symphony, Danish Radio Orchestra, Scottish National Orchestra, Edinburgh Festival Orchestra, Sadler’s Wells Orchestra, San Francisco Ballet Orchestra and Buffalo Philharmonic. Two of his Taylor scores are represented on PBS’ Dance In America series. He also conducted eight seasons for New York City Ballet, composed and conducted for Miami City Ballet, Mark Morris Dance Group, Jose Limon Company and Ballet Marseilles/Roland Petit. On Broadway Mr. Y has conducted or arranged I Love My Wife, Little Me, Can-Can, Merlin, 5-6-7-8- Dance!, Sunset, The Marriage Of Figaro, The Life and Sweet Charity. Since moving to California in 1995, X has arranged and conducted the tour of The Ann-Margret Show and conducted national tours of Beauty and the Beast, Fosse, Hello Dolly! and The Producers. His reworking of Duke Ellington’s neglected musical Beggar’s Holiday recently premiered at the Marin Theatre Company.

X Y lives on his ranch in Temecula, California with his wife, Anne, and their three children, eight horses, five dogs, two goats, a pig, a cat & “Kirby” the scat singing cockatiel.”

The longer I’m in Temecula, the more I encounter accomplished people like Mr. Y, people who left behind city life and chose to live in the IE.

[TemekuT]

This is off topic to the thread. Since the last poster shared his name via AOL, I took the liberty of posting his biography for all those who love to paint Temecula as a gun toting, Bible thumping, tricked-out truck driving outpost for those who can’t afford to live in the culturally advanced (?!) OC or SD counties:

“Composer/conductor XY showed his prodigious musical talent early, playing piano at age three, composing and improvising by age seven. His formidable training included mentoring in compostion from Darius Milhaud, Vincent Persichetti and Roger Sessions. After graduating from The Juilliard School of Music in 1969, X’s fluency at the piano landed him jazz gigs with Elvin Jones, Clark Terry, Nick Brignola and Lee Konitz; pop gigs with Hall & Oates, Judy Collins, Esther Phillips and Maureen McGovern. He became Bette Midler’s Musical Director in 1976, arranging and conduct ing the wildly successful Clams On The Half Shell Revue, The First Annual Farewell Tour and the Live At Last album and HBO show.

From 1976 to 1991 X put most of his effort into his collaboration with legendary choreographer Paul Taylor. As Musical Director of the Paul Taylor Dance Company, he scored eight ballets, conducted fifteen New York seasons as well as engagements with the Paris Opera Orchestra, Israel Philharmonic, Montreal Symphony, Danish Radio Orchestra, Scottish National Orchestra, Edinburgh Festival Orchestra, Sadler’s Wells Orchestra, San Francisco Ballet Orchestra and Buffalo Philharmonic. Two of his Taylor scores are represented on PBS’ Dance In America series. He also conducted eight seasons for New York City Ballet, composed and conducted for Miami City Ballet, Mark Morris Dance Group, Jose Limon Company and Ballet Marseilles/Roland Petit. On Broadway Mr. Y has conducted or arranged I Love My Wife, Little Me, Can-Can, Merlin, 5-6-7-8- Dance!, Sunset, The Marriage Of Figaro, The Life and Sweet Charity. Since moving to California in 1995, X has arranged and conducted the tour of The Ann-Margret Show and conducted national tours of Beauty and the Beast, Fosse, Hello Dolly! and The Producers. His reworking of Duke Ellington’s neglected musical Beggar’s Holiday recently premiered at the Marin Theatre Company.

X Y lives on his ranch in Temecula, California with his wife, Anne, and their three children, eight horses, five dogs, two goats, a pig, a cat & “Kirby” the scat singing cockatiel.”

The longer I’m in Temecula, the more I encounter accomplished people like Mr. Y, people who left behind city life and chose to live in the IE.

[svelte]

People are giving up their horses, some dropping them off unannounced at shelters.

http://www.cnn.com/2009/LIVING/03/22/homeless.horses/index.html

[svelte]

People are giving up their horses, some dropping them off unannounced at shelters.

http://www.cnn.com/2009/LIVING/03/22/homeless.horses/index.html

[svelte]

People are giving up their horses, some dropping them off unannounced at shelters.

http://www.cnn.com/2009/LIVING/03/22/homeless.horses/index.html

[svelte]

People are giving up their horses, some dropping them off unannounced at shelters.

http://www.cnn.com/2009/LIVING/03/22/homeless.horses/index.html

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