- This topic has 10 replies, 3 voices, and was last updated 14 years, 5 months ago by
CA renter.
-
AuthorPosts
-
July 2, 2010 at 7:49 AM #17663July 2, 2010 at 9:23 AM #574795
looking
ParticipantThis reminds me of the old MIT story where students ‘created’ a modern art piece called ‘No Knife’ which was just a cafeteria tray with a plate, fork, and spoon but no knife….
http://everything2.com/title/No+Knife
————
When the List Galleries for the Wiesner Arts and Media Building at the Massachusetts Institute for Technology opened in 1985, the initial exhibit was an assortment of modern art. Now, MIT students in general and hackers in particular are well-known for their respectful attitude towards campus art, and the night before the exhibit opened they made their own addition.Outside of the door of the gallery, they left an inverted garbage can, mimicking the display pedestals inside. On top of it, they placed a cafeteria tray, complete with glass, plate, salad bowl, fork, and two spoons– but no knife. Next to this fine piece of artwork was a description:
No Knife
A Study in Mixed Media Earth Tones, Number Three
Realized by James Tetazoo December 1984
The artist’s mode d’emploi relies upon minimalist kinematic methods: space and time are frozen in a staid reality of unrestrained sexuality. Temporary occaisionalism, soon overcome by symbolic nihility, pervades our earliest perception of the work. An overturned throwaway obelisk functions as symbolic pedestal; the work rests upon a manifestation of grey toned absence. Epicurean imagery is employed most effectively by Tetazoo; the glass, the porcelain, the plastic move in conflicting directions and yet are joined in a mood of stark pacifism. The sterile lateralism of the grouped utensils (sans knife), conveys a sense of eternal ennui, framed within the subtle ambience of discrete putrefaction. The casual formalism of the place setting draws upon our common internal instinct of existential persistence to unify us with the greater consciousness of human bondage.
The next day, the janitor came by and was horrified to discover one of the pieces of artwork left outside the door by mistake. “No Knife” was brought inside and displayed in the gallery for a week before the curator finally noticed that this art was not as artistic as the rest of the exhibit, and the hack was removed.
Text copied from the Journal of the Institute for Hacks, TomFoolery and Pranks, with thanks. The book also contains several more hacking stories with photographs and copies of relevant text, for those interested.
July 2, 2010 at 9:23 AM #574893ParticipantThis reminds me of the old MIT story where students ‘created’ a modern art piece called ‘No Knife’ which was just a cafeteria tray with a plate, fork, and spoon but no knife….
http://everything2.com/title/No+Knife
————
When the List Galleries for the Wiesner Arts and Media Building at the Massachusetts Institute for Technology opened in 1985, the initial exhibit was an assortment of modern art. Now, MIT students in general and hackers in particular are well-known for their respectful attitude towards campus art, and the night before the exhibit opened they made their own addition.Outside of the door of the gallery, they left an inverted garbage can, mimicking the display pedestals inside. On top of it, they placed a cafeteria tray, complete with glass, plate, salad bowl, fork, and two spoons– but no knife. Next to this fine piece of artwork was a description:
No Knife
A Study in Mixed Media Earth Tones, Number Three
Realized by James Tetazoo December 1984
The artist’s mode d’emploi relies upon minimalist kinematic methods: space and time are frozen in a staid reality of unrestrained sexuality. Temporary occaisionalism, soon overcome by symbolic nihility, pervades our earliest perception of the work. An overturned throwaway obelisk functions as symbolic pedestal; the work rests upon a manifestation of grey toned absence. Epicurean imagery is employed most effectively by Tetazoo; the glass, the porcelain, the plastic move in conflicting directions and yet are joined in a mood of stark pacifism. The sterile lateralism of the grouped utensils (sans knife), conveys a sense of eternal ennui, framed within the subtle ambience of discrete putrefaction. The casual formalism of the place setting draws upon our common internal instinct of existential persistence to unify us with the greater consciousness of human bondage.
The next day, the janitor came by and was horrified to discover one of the pieces of artwork left outside the door by mistake. “No Knife” was brought inside and displayed in the gallery for a week before the curator finally noticed that this art was not as artistic as the rest of the exhibit, and the hack was removed.
Text copied from the Journal of the Institute for Hacks, TomFoolery and Pranks, with thanks. The book also contains several more hacking stories with photographs and copies of relevant text, for those interested.
July 2, 2010 at 9:23 AM #575417ParticipantThis reminds me of the old MIT story where students ‘created’ a modern art piece called ‘No Knife’ which was just a cafeteria tray with a plate, fork, and spoon but no knife….
http://everything2.com/title/No+Knife
————
When the List Galleries for the Wiesner Arts and Media Building at the Massachusetts Institute for Technology opened in 1985, the initial exhibit was an assortment of modern art. Now, MIT students in general and hackers in particular are well-known for their respectful attitude towards campus art, and the night before the exhibit opened they made their own addition.Outside of the door of the gallery, they left an inverted garbage can, mimicking the display pedestals inside. On top of it, they placed a cafeteria tray, complete with glass, plate, salad bowl, fork, and two spoons– but no knife. Next to this fine piece of artwork was a description:
No Knife
A Study in Mixed Media Earth Tones, Number Three
Realized by James Tetazoo December 1984
The artist’s mode d’emploi relies upon minimalist kinematic methods: space and time are frozen in a staid reality of unrestrained sexuality. Temporary occaisionalism, soon overcome by symbolic nihility, pervades our earliest perception of the work. An overturned throwaway obelisk functions as symbolic pedestal; the work rests upon a manifestation of grey toned absence. Epicurean imagery is employed most effectively by Tetazoo; the glass, the porcelain, the plastic move in conflicting directions and yet are joined in a mood of stark pacifism. The sterile lateralism of the grouped utensils (sans knife), conveys a sense of eternal ennui, framed within the subtle ambience of discrete putrefaction. The casual formalism of the place setting draws upon our common internal instinct of existential persistence to unify us with the greater consciousness of human bondage.
The next day, the janitor came by and was horrified to discover one of the pieces of artwork left outside the door by mistake. “No Knife” was brought inside and displayed in the gallery for a week before the curator finally noticed that this art was not as artistic as the rest of the exhibit, and the hack was removed.
Text copied from the Journal of the Institute for Hacks, TomFoolery and Pranks, with thanks. The book also contains several more hacking stories with photographs and copies of relevant text, for those interested.
July 2, 2010 at 9:23 AM #575524ParticipantThis reminds me of the old MIT story where students ‘created’ a modern art piece called ‘No Knife’ which was just a cafeteria tray with a plate, fork, and spoon but no knife….
http://everything2.com/title/No+Knife
————
When the List Galleries for the Wiesner Arts and Media Building at the Massachusetts Institute for Technology opened in 1985, the initial exhibit was an assortment of modern art. Now, MIT students in general and hackers in particular are well-known for their respectful attitude towards campus art, and the night before the exhibit opened they made their own addition.Outside of the door of the gallery, they left an inverted garbage can, mimicking the display pedestals inside. On top of it, they placed a cafeteria tray, complete with glass, plate, salad bowl, fork, and two spoons– but no knife. Next to this fine piece of artwork was a description:
No Knife
A Study in Mixed Media Earth Tones, Number Three
Realized by James Tetazoo December 1984
The artist’s mode d’emploi relies upon minimalist kinematic methods: space and time are frozen in a staid reality of unrestrained sexuality. Temporary occaisionalism, soon overcome by symbolic nihility, pervades our earliest perception of the work. An overturned throwaway obelisk functions as symbolic pedestal; the work rests upon a manifestation of grey toned absence. Epicurean imagery is employed most effectively by Tetazoo; the glass, the porcelain, the plastic move in conflicting directions and yet are joined in a mood of stark pacifism. The sterile lateralism of the grouped utensils (sans knife), conveys a sense of eternal ennui, framed within the subtle ambience of discrete putrefaction. The casual formalism of the place setting draws upon our common internal instinct of existential persistence to unify us with the greater consciousness of human bondage.
The next day, the janitor came by and was horrified to discover one of the pieces of artwork left outside the door by mistake. “No Knife” was brought inside and displayed in the gallery for a week before the curator finally noticed that this art was not as artistic as the rest of the exhibit, and the hack was removed.
Text copied from the Journal of the Institute for Hacks, TomFoolery and Pranks, with thanks. The book also contains several more hacking stories with photographs and copies of relevant text, for those interested.
July 2, 2010 at 9:23 AM #575822ParticipantThis reminds me of the old MIT story where students ‘created’ a modern art piece called ‘No Knife’ which was just a cafeteria tray with a plate, fork, and spoon but no knife….
http://everything2.com/title/No+Knife
————
When the List Galleries for the Wiesner Arts and Media Building at the Massachusetts Institute for Technology opened in 1985, the initial exhibit was an assortment of modern art. Now, MIT students in general and hackers in particular are well-known for their respectful attitude towards campus art, and the night before the exhibit opened they made their own addition.Outside of the door of the gallery, they left an inverted garbage can, mimicking the display pedestals inside. On top of it, they placed a cafeteria tray, complete with glass, plate, salad bowl, fork, and two spoons– but no knife. Next to this fine piece of artwork was a description:
No Knife
A Study in Mixed Media Earth Tones, Number Three
Realized by James Tetazoo December 1984
The artist’s mode d’emploi relies upon minimalist kinematic methods: space and time are frozen in a staid reality of unrestrained sexuality. Temporary occaisionalism, soon overcome by symbolic nihility, pervades our earliest perception of the work. An overturned throwaway obelisk functions as symbolic pedestal; the work rests upon a manifestation of grey toned absence. Epicurean imagery is employed most effectively by Tetazoo; the glass, the porcelain, the plastic move in conflicting directions and yet are joined in a mood of stark pacifism. The sterile lateralism of the grouped utensils (sans knife), conveys a sense of eternal ennui, framed within the subtle ambience of discrete putrefaction. The casual formalism of the place setting draws upon our common internal instinct of existential persistence to unify us with the greater consciousness of human bondage.
The next day, the janitor came by and was horrified to discover one of the pieces of artwork left outside the door by mistake. “No Knife” was brought inside and displayed in the gallery for a week before the curator finally noticed that this art was not as artistic as the rest of the exhibit, and the hack was removed.
Text copied from the Journal of the Institute for Hacks, TomFoolery and Pranks, with thanks. The book also contains several more hacking stories with photographs and copies of relevant text, for those interested.
July 3, 2010 at 12:31 AM #575087CA renter
ParticipantLoved the MIT story. 🙂
July 3, 2010 at 12:31 AM #575183ParticipantLoved the MIT story. 🙂
July 3, 2010 at 12:31 AM #575708ParticipantLoved the MIT story. 🙂
July 3, 2010 at 12:31 AM #575814ParticipantLoved the MIT story. 🙂
July 3, 2010 at 12:31 AM #576114ParticipantLoved the MIT story. 🙂
-
AuthorPosts
- You must be logged in to reply to this topic.